That’s All You’ve Got?

A Tuesday night poetry reading at the Beat Museum

Squeezed into a hard gray folding chair and

I’m not drunk enough for this shit but a friend is reading so I have to attend

A young man steps to the mike, yellow-blonde hair, barely old enough to shave

His hand trembles as he recites from the white sheet of looseleaf notebook paper

Beat MuseumHistory is mystery, he reads

And our myths grow longer every night

Dramatic pause and the paper is folded, signifying the end

Polite applause

I’m thinking, that’s all you’ve got?

That’s it?

Paul Valery approached it with more poignance when he said

All history is nothing but myth …

each moment fades each moment

into the realm of the imaginary

Of course there’s always Sherwood Anderson who wrote:

The true history of life

is but a history of moments

Perhaps I just read too much

Which leads me to expect the same from those who want me to

Respect their written words

6 Responses to “That’s All You’ve Got?”

  1. Scot Says:

    you are right on this, but he was close to a haiku…(grin)

  2. Rodger Jacobs Says:

    Alllllmost a haiku.

    If I’m even remembering it correctly.

  3. kafkasmouse Says:

    Maybe because of this place, I was reading the On the Road scroll book yesterday in a library. I reread my favorite part of On the Road, the part about the hookup with Bea, the Mexican girl. It precisely overlaps a visit to LA, and some really wonderfully accurate things are said about LA in that five or six page section. Really magnificent. The part where they both wonder: are you really a whore? Are you really a pimp? is astounding. Sixty years later, just look at anyone young on myspace from LA and you sense that they’ve got to have the exact same questions at some point.

    Then I read the introduction, which is very long and informative and mythbusting. One scroll? Hah. Yes, but…Kerouac reworked the narrative for two years. No wonder it’s his best book.

  4. Rodger Jacobs Says:

    Joseph, the stories of Jack with Bea, in the cotton fields of Fresno and in the jazz clubs of South-Central L.A., were a highlight of my OTR show “The Ragged Promised Land”.

    I read that damn scroll edition three times over eight weeks to prep and write the show. Never want to see it again, except as a doorstop.

  5. Crafty Green Poet Says:

    I like the rhythm in this piece and the ending rings very true.

  6. Rodger Jacobs Says:

    Thanks, Poet …

    Don’t be a stranger.

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