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	<title>Comments on: Movies With A Literary Bent</title>
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	<link>http://carversdog.wordpress.com/2008/04/09/movies-with-a-literary-bent/</link>
	<description>Fiction and Musings From L.A.'s Most Far-Flung Suburb</description>
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		<title>By: Rodger Jacobs</title>
		<link>http://carversdog.wordpress.com/2008/04/09/movies-with-a-literary-bent/#comment-1438</link>
		<dc:creator>Rodger Jacobs</dc:creator>
		<pubDate>Sat, 12 Apr 2008 18:58:12 +0000</pubDate>
		<guid isPermaLink="false">http://carversdog.wordpress.com/?p=164#comment-1438</guid>
		<description>I was hired to write a screenplay adaptation, many years ago, of Richard Brautigan&#039;s novel &lt;i&gt;The Hawkline Monster&lt;/i&gt; but at the 11th hour there were rights issues with the Brautigan estate and the movie project was shelved.

Cinema and literature are two entirely different mediums that rarely blend well. Stanley Kubrick was very good at the style you suggest, adapting movies from novels that are faithful only to the spirit of the book, but not necessarily to the plot nuances:

&lt;i&gt;Lolita&lt;/i&gt;
&lt;i&gt;The Shining&lt;/i&gt;
&lt;i&gt;Barry Lyndon&lt;/i&gt;
&lt;i&gt;Clockwork Orange&lt;/i&gt;</description>
		<content:encoded><![CDATA[<p>I was hired to write a screenplay adaptation, many years ago, of Richard Brautigan&#8217;s novel <i>The Hawkline Monster</i> but at the 11th hour there were rights issues with the Brautigan estate and the movie project was shelved.</p>
<p>Cinema and literature are two entirely different mediums that rarely blend well. Stanley Kubrick was very good at the style you suggest, adapting movies from novels that are faithful only to the spirit of the book, but not necessarily to the plot nuances:</p>
<p><i>Lolita</i><br />
<i>The Shining</i><br />
<i>Barry Lyndon</i><br />
<i>Clockwork Orange</i></p>
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		<title>By: Sandy</title>
		<link>http://carversdog.wordpress.com/2008/04/09/movies-with-a-literary-bent/#comment-1436</link>
		<dc:creator>Sandy</dc:creator>
		<pubDate>Sat, 12 Apr 2008 16:45:13 +0000</pubDate>
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		<description>It&#039;s always fascinated - and frustrated! - me how some directors translate a book into film so faithfully that it only serves to produce an immense gulf.  I&#039;d rather the director take great liberties, using cinematic resources to reproduce the feel of the book. The target should be the spirit, not the letter of the law.  The last Gatsby with Redford and Farrow (shudder) had everything right but it came out all wrong.

Omigod, Rodger, you should be writing screen adaptations!</description>
		<content:encoded><![CDATA[<p>It&#8217;s always fascinated &#8211; and frustrated! &#8211; me how some directors translate a book into film so faithfully that it only serves to produce an immense gulf.  I&#8217;d rather the director take great liberties, using cinematic resources to reproduce the feel of the book. The target should be the spirit, not the letter of the law.  The last Gatsby with Redford and Farrow (shudder) had everything right but it came out all wrong.</p>
<p>Omigod, Rodger, you should be writing screen adaptations!</p>
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		<title>By: David N. Scott</title>
		<link>http://carversdog.wordpress.com/2008/04/09/movies-with-a-literary-bent/#comment-1430</link>
		<dc:creator>David N. Scott</dc:creator>
		<pubDate>Fri, 11 Apr 2008 21:17:28 +0000</pubDate>
		<guid isPermaLink="false">http://carversdog.wordpress.com/?p=164#comment-1430</guid>
		<description>Sure, hit me up!</description>
		<content:encoded><![CDATA[<p>Sure, hit me up!</p>
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