Gliding past St. Joseph’s Hospital on Alameda. My daughter was born there during a dark-lidded week when L.A. was punished with heavy rain night and day, flooding surface streets and freeways; hydroplaning on the highway became a way of life after a time and the TV news carried live images to Angelenos of the latest idiot to be rescued from the swollen L.A. River by swift water rescue crews from the Los Angeles Fire Department.
“And it’s the same hospital,” I tell Miss L, “where John Ritter died.”
Only three days back and already I’m slipping into L.A. vacuity. I can’t help it. It’s viral and contagious. The utterance of meaningless things is the mother tongue here.
I instruct Miss L to make a right on San Fernando Road and keep rolling south until one block away from Los Feliz Boulevard. The A-1 Storage facility is on the right-hand side of the road.
The section of San Fernando Road that skirts the eastern edge of Burbank and the western edge of Glendale is a drab affair that is hemmed in on one side by the busy railroad tracks carrying freight and Amtrak passengers. Warehouses are everywhere. Tired and sagging buildings with hand-painted signs on the metal siding: BRONSKY IRON WORKS. Does anyone even twist metal at Bronsky Iron Works anymore? There’s never life to observe on the exterior of these warehouses as you drive by. There are cars in the parking lots, so these nondescript industrial mills must have people working inside of them, they just never come out to take a smoke break. Everything is old and cold and colorless, a factory-town in a silent-movie cartoon or an Orwellian landscape of invisible, faceless worker drones serving an omniscient industrial state.
There’s the tacky, 50s-kitsch Motel Glen Capri on San Fernando Road. There’s a German deli as well as a number of tacquerias and Mariscos Veracruz Mexican seafood restaurant. A Wonder Bread Thrift Store has been on the road for decades, day-old bread at three for a dollar. Hell of a neighborhood to travel to for day-old bread. There’s an Armenian butcher shop, a scary 7-11 pockmarked with gang graffiti next door to a payday advance joint (Se habla Espanol, naturally) and a Chinese take-out place.
Just past Doran Avenue in Glendale there’s a quaint handmade garden pottery business; then, traveling south, the majestic Home Depot looms on your left, a monolithic square, gray and orange brick, day laborers milling like union agitators outside the gates.
Dinah’s Fried Chicken is up ahead, too, as well as the Von’s Market at San Fernando and Los Feliz but our location is a block or two north of there.
Since September ‘06, I have been shelling out $87.00 a month for the only possessions I have remaining in the world (except for the books and furniture and other items I have acquired in San Francisco and currently in Las Vegas). Since Miss L and I have a rented mini-van at our disposal, it’s time to finally sift through the collected belongings and salvage what can be had without extending the van’s storage capacity.
The roughly 30 file-size boxes in the 10×10 storage locker are primarily filled with books. The first editions and signed editions were the first to make the cut for retrieval. All of the Nathanael West was snagged, as well as critical volumes on his work. Ditto Scott Fitzgerald. Modern Library editions of Kafka, Hemingway, Steinbeck, Fitzgerald. Almost forgot Fitzgerald’s The Crack-Up but located it inside a box next to a hardback of James Ellroy’s L.A. Confidential; the latter most definitely did not make the cut.
My daughter’s baby albums were placed on the retrieval list, of course, but a biography of Malcolm Lowry was not. CDs by Ry Cooder, R.E.M., and Black-Eyed Peas jumped into the outgoing box but two boxes of movies on VHS are going to be left for history to deal with.
Finally, I located the most coveted item of all, a 1930s New Directions hardback (213 pages) of Nathanael West’s Miss Loneyhearts, complete with dust jacket in Brodart wraps. The cover illustration is of Christ in crucified repose set against a letter to Miss Lonelyhearts in newspaper print.
I pick up the book and thumb through its yellowing but still well-maintained pages. Randomly I stop at page 129, a chapter titled In The Dismal Swamp. Shrike, the editor of the newspaper’s advice to the lovelorn columnist, mocks Lonelyhearts’ ever-growing religious affliction:
“When the salt has lost its savour, who shall savor it again? Is the answer: None but the Saviour?”
A strange sentence for one’s eye to randomly land upon. I agree with the scholars that West was possessed of a sardonic wit but I also think a component of that — his masterful skill at wordplay — is often overlooked in critical analysis of the writer and his genius.
In the end I narrowed everything down to nine boxes of must-have books, movies, magazines, and music; a clip file of some of my older work and press releases; a printer/fax/scanner in excellent condition; a Bose stereo; and assorted personal memorabilia.
And we avoided San Fernando Road on the way back to the hotel.
(Mariscos Veracruz photo via edpadgett.com)
Previously in Return to L.A., Briefly: White Noise